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World Music: Cuban rhythms blend with Bach, jazz and more

Cuban rhythms blend with Bach, jazz and more by Jocelyn Murphy | September 29, 2019 at 1:00 a.m.
Photo courtesy Elvis Suarez, GlassWorks MultiMedia Three-time Grammy-nominated group Tiempo Libre kicks off a weekend of festivities in downtown Fayetteville to celebrate Hispanic Heritage Month with a performance at the Walton Arts Center Oct. 3. The weekend culminates in the seventh annual Northwest Arkansas Hispanic Heritage Festival from 1 to 5 p.m. Oct. 6 on the Fayetteville Square. for full schedule and details.

When Jorge Gomez came to America from Cuba in 2000, he didn't hear much Cuban music in the United States. When he reconnected with friends from childhood in Miami and they decided to form a band, executives in the music industry told him he wouldn't be successful performing music from his home country. Nearly 20 years later, Gomez says almost every town, every state, Tiempo Libre travels to has a Cuban or Latino band of its own.

"Everything is more open, not only with the Latino music but everything," Gomez shares. "I have been here in New York going to very different concerts from different parts of the world -- African culture, Russian culture, Australian. And all the concerts are full of people enjoying the music, dancing with them, singing with them; it's all about respect. And it's the same with Cuban music."


Tiempo Libre

WHEN — 7 p.m. Oct. 3

WHERE — Walton Arts Center in Fayetteville

COST — $10

INFO — 443-5600,,



Arts Series

The 10th anniversary season of Walton Arts Center’s iconic 10x10 Arts Series continues its circumnavigation of the globe later this month.

“Tiempo Libre is Cuban-based; Nobuntu is African; Theatre Re is a theater company from England; Piano Battle [comes from Germany]; Ballet Memphis is not from Arkansas; Apollo’s Fire are from Cleveland, Ohio; Socks in the Frying Pan is an Irish company; The Real Group is Swedish; and then ‘Äbhä’ is an Indian company. And then we have the Artosphere Festival Orchestra, which is a mishmash of [artists] from all over the world!” enthuses programming director Jennifer Ross.

Tickets to all shows are $10 and often include a Q&A with the artists or an after-party.

Oct. 11 — Nobuntu

Nov. 5 — Theatre Re’s “The Nature of Forgetting”

Jan. 30 — “Piano Battle”

Feb. 6 — Ballet Memphis “Contemporaryx3”

Feb. 29 — Apollo’s Fire - Baroque Orchestra “Vivaldi’s Four Seasons: Rediscovered”

March 5 — Socks in the Frying Pan

April 3 — The Real Group

April 21 — “Äbhä” by Parshwanath Upadhye and Punyah Dance Company

May 6 — Artosphere Festival Orchestra 10x10 Concert

It's certainly the same with the music made by Tiempo Libre -- Spanish for "free time," because the band began playing together in their free time. Gomez wants audiences, including the one on Oct. 3 at the Walton Arts Center in Fayetteville, to feel free to get up and dance, interact with the band, ask questions if they have any, but most of all, he insists everybody sing.

"You have to tell people that it's not going to be a concert; it's going to be a Cuban party. Those guys bring the best Cuban energy to interacting with" audiences, he enthuses. "No inhibition. It's all about having fun. Even if you don't understand anything about the lyrics, because it's going to be in Spanish most of the time, you have to repeat (sings), 'Guantanamera, guajira guantanamera.' That's it!"

"That's it" may encompass the audience participation piece, but Cuban party still doesn't fully represent Tiempo Libre's music. The seven-member Afro-Cuban group is celebrated for its timba music -- a genre Gomez describes as mixing styles of Latin rhythmic music with elements of jazz. But the Grammy Award-nominated group also blends those influences with classical music and has ventured onto the stage.

Their musical theater piece "Miami Libre" shared the experience of the musicians' immigration story as they left Cuba to pursue their dreams in America, and the 2015 debut of "Cuba Libre" delved into the story of the band as a unit.

"That was the idea to come to the United States, [was] to learn things," Gomez offers. "Because in Cuba, maybe we're going to be playing only salsa or only jazz. But here, we have the possibility to learn different styles of music, not just from America, but from other countries, and also travel and stay with the people.

"The people, they tell us their stories about how much they love their country, their music, their culture, and [then] they look to do something with us together," he continues. "For example, we have been playing with Joshua Bell, he's a classical violinist. At the same time, we [collaborated] with Gloria Estefan -- she's a Cuban singer. It's two completely different worlds, but they converge together just for the music.

"So it's a little of everything right now," Gomez concludes. "It's not just Cuban music. It all about the music -- world music."

NAN What's Up on 09/29/2019

Print Headline: World Music


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