The names in New Orleans are as colorful as the city itself - shotguns,
camel backs, double galleries,
villas and Creole cottages.
Even the homes that date
back to the early 1800s had
one modern convenience not
readily available in the Ozarks:
Milled lumber.
“Here, you had an ax and
some other basic tools, you
got your property, and you
started cutting down trees,”
says Marie Demeroukas,
photo archivist and research
librarian at the Shiloh
Museum in Springdale. “The
only way to build a house was
to start shaping those trees
into logs.” Neither did the log
structures built in Northwest
Arkansas in the 19th century
vary widely in design, she
says.
“The style and construction
techniques traveled across the
upland South into the Ozarks,”
she explains. “The way things
were built came from certain
traditions and skills they
learned as kids.” Demeroukas has spent a
lot of time with her nose
buried in the museum’s half
a million historic photos and
studying Ozark vernacular
architecture for an exhibit
titled “Single Pens, Saddlebags
and Dogtrots.” Although the
names are as colorful as their
New Orleans counterparts,
the homes really came in only
one design, repeated to make
it bigger.
“The mindset was that a log
home looked a certain way.
That’s what a house looked
like, and that’s what you
built,” she says. “You didn’t try
anything different because you
might stand out, and besides,
this was tried and true.”
Shiloh Museum looks at log homes of the 1800s
According to Demeroukas’ research - primarily using Jean Sizemore’s “Ozark Vernacular Houses: A Study of Rural Homeplaces in the Arkansas Ozarks, 1830-1930” - log homes came in four basic designs:
◊Single pen - Four walls and a roof, Demeroukas describes, with a chimney on the gable end.
◊Double pen - Two single pens set next to each other, with chimneys on both gable ends. “Very symmetrical,” she says.
◊Saddlebags - Just like a double pen but with one chimney in the middle, “on the spine,” she says.
◊Dog trots - Two single pens with a breezeway in between.
“They were units, essentially,” Demeroukas says.
“If you wanted another room, you just added on another ‘pen.’
“The most amazing thing about the photos is how many showed families posed outin front in all their finery - in front of the simplest of structures, but so proud. They wanted to be photographed in front of their home.”
The exhibit, which alsolooks at life in 19th century log homes, is exactly the kind Demeroukas loves best.
“I love the technical part, and I get to indulge my love of learning that sort of thing.”
Whats Up, Pages 13 on 11/16/2012